Preparing the studio
For clients and projects
Tell us the audience, the brief and the roles that need filling, on camera or behind it, and we come back with the people who fit and the reason each one is on the list.
Discuss the role you need →We look beyond a reel: how someone works with a team, what they bring to the idea and whether they can reach the audience in the brief. We explain each recommendation and confirm availability before putting anyone forward.
What the studio carries
People who can carry a story on camera in more than one language, unscripted, without the performance flattening out in the second one. A good deal of our work exists in more than one version because of them.
Use whenThe audience spans languages and the brief calls for a presenter in each version.
A face that arrives with distribution attached. The trade is control: their audience follows them because the voice is theirs, so the brief has to leave room for it.
Use whenReach matters as much as the film, and you can live with a looser script.
An architect can explain a building, an agent can explain a market, and a chef can speak for a kitchen. We help them make their knowledge clear on camera without asking them to perform like presenters.
Use whenThe claim is technical and would sound hollow coming from the brand.
Interviews, events, podcasts. A different skill from presenting to a lens: managing a room, listening properly, and keeping a conversation moving when it stalls.
Use whenThe format is a conversation rather than a piece to camera.
Creators making short, platform-native pieces in their own voice. We brief and coordinate them around a format so the work can be used across a campaign without presenting paid content as a customer testimonial.
Use whenThe channel needs a steady supply of native-looking creative rather than one hero film.
A familiar person can give a campaign immediate recognition. We consider the fit with the project, the terms of the collaboration and how the association will be used beyond a single appearance.
Use whenYou are building an association over time, not making a single film.
A face is only one of the roles a project needs filling. The same approach applies to everyone else on it: assembled for the brief in front of us rather than drawn from a standing payroll.
The creative lead who decides what the thing should be before anyone shoots or builds it.
Chosen forJudgement, and the ability to hold a line when a project starts drifting.
Directors of photography, operators and production managers selected for the location, schedule and scale of the brief.
Chosen forWorking small and fast without the standard dropping.
Editors, colourists and motion designers who cut the principal piece and every version after it.
Chosen forPacing, and getting the alternate versions out of one shoot rather than three.
The people who build the landing pages, platforms and AI-assisted tooling a campaign runs on.
Chosen forShipping something that holds up after launch, not only at handover.
Brand and channel strategists, and the media buyers who run the campaigns and report on what produced the result.
Chosen forA plan tied to a measurable goal, with clear reporting on the result.
A padel club taking shape at Sierra Cortina, above the coast near Finestrat and Benidorm. Parklane's involvement is in how the club is told rather than who gets through the door.
It is still in pre-launch. The club has not published an opening date, and membership, booking and guest arrangements are being worked out by its own team. We would rather say that plainly than imply an access we are not in a position to give. If a project touches the club, we will tell you what is genuinely possible at the time.
Concept visuals courtesy of The Capitol Club.
Presenters, creators, crew and technologists looking to work with Parklane are welcome, but that is a separate conversation from this one.
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